I was watching an interview with Spike Lee today, and he was talking about the best films to be released so far in this decade, since the year 2000. I was very happy to see on his list Requiem for a Dream, Brokeback Mountain, and, somewhat surprisingly, Roger Dodger. Not "surprisingly" because it's a bad film - it's a great one - but because it's a little movie that hardly anyone remembers. Spike was mentioning how the screenplay was so great, that it was fun even just to read it, like a good book. I searched on the net real quick and found the script, and, since I won't post the entire thing on here, here's an excerpt. Great dialogue...

******************************
INT. RESTAURANT – DAY
Roger and Nick sit across from each other at a table.

ROGER
So, Nick... You need some help with the ladies?

CUT TO:
EXT. STREET – MAGIC HOUR
Roger and Nick walk down the street.

ROGER
All right. Here we go. Get this straight. Sex is everywhere, okay? It is all around us. It's not some distant destination. It's not Everest. It is right here. You have to attune yourself to it.
You have to bring yourself into alignment. You have to find the zone, Nick. Okay? Do that, and I promise you a whole world will open up. Look at me. I walk around in a state of total receptivity. I'm like a fucking lightning rod.

NICK
All right. Fine. What do I do?

ROGER
For starters, let's get rid of that little meditation. The blue triangle. We don't block things out, Nicholas. We let them in.

NICK
Let what in?

ROGER
There are millions of women in this city, Nick. Millions. Most of them are blessedly unaware of the countless ways...
in which their bodies are exposed to our eyes. So, first, learn to read the sun, where it sits.
You'll notice... correlation between backlighting and transparency. They wear light-colored clothing, underwear shows right through. Bra straps, panty lines. No need to stretch or squint. It is there for us, okay? For example—

A WOMAN passes by. Roger skillfully, subtly checks her out. Nick, on the other hand, stands there staring at her as she walks by. Roger looks at him.

NICK
What?

ROGER
Are you blowing my cover? Are you blowing my cover like some... construction worker?

NICK
No. I was just—

ROGER
Jesus Christ, Nick. Use your head. Step back. Let her pass. Okay? Give it a few seconds. Watch this, and then camouflage the move. Pay attention.

Roger once again skillfully checks out a woman as she passes by.

ROGER
Checking of the watch is good. Or of the pager. Or looking for a street sign like you're lost.
Or just now you saw me do a combination. Whatever it is, don't get caught. Do you think women have a clue what goes on up here?
What do they think, it's just stock quotes, drill bit sizes?
They don't know shit! Let's keep it that way.

NICK
All right.

ROGER
What about your eyes?

NICK
What? My eyes?

ROGER
Your eyes. How's your vision?

NICK
No, it's good. It's 20-20.

ROGER
Okay. Peripheral?

NICK
I don't know. It's fine, I guess.

ROGER
Fine's not gonna cut it, Nick.
You gotta work your muscles like you're training for the fucking Olympics.

NICK
Yeah.

ROGER
Up, down, left, right, et cetera. Here. Follow my finger.

NICK
Okay.

ROGER
Tell me when it's gone.

NICK
All right.

Roger moves his finger only a couple of inches away from Nick’s field of vision.

NICK
Okay. Stop.

ROGER
That's it? Nick, you need a hundred, a hundred and ten degrees...
before you're ready for the street. I see behind me on a good day. You play video games?

NICK
Sure.

ROGER
Good. That stuff is training for the eyes. Registering images in a split second. It's invaluable. Oh. Right there. Blue sweater. Blue sweater. Median. Blue sweater. Blue sweater...

Nick searches frantically for who he’s pointing at. He finally sees her just as she stands up.

ROGER
That young lady just-- And you missed it.

NICK
I know.

ROGER
In just a fraction of a second.
That's all. But a trained eye can get in there for a look. You have to learn to anticipate your opportunities, okay? Getting out of a cab, wind from a subway grate... or as you so sadly missed there, bending over to pick something up. These are situations which require lightning reflexes.

NICK
I tell you, I can do that.

ROGER
You're a step slow right now, Nick.
Hey, no wonder. I remember what it's like out there. No interaction. No face time. Look at me. Every day I have the street, the subway, the ATM line... the office, the gym--
What have you got? Young people sitting in cars in Ohio. Wistful glances at the stoplight....

NICK
No, I go to school. That's interaction.

ROGER
Okay. Let's work with that.
The high school building is four stories, if memory serves.

NICK
It's five stories now.

ROGER
Whatever. It's multistory, and that means stairs, which is good.
Free yourself from the tyranny of eye level. Come here. Use the angles. High for cleavage. Low for the skirts.

NICK
All right.

ROGER
Remember, there's no shame in calling on an old standby, right?
Dropping of the pencil. Tying of the shoe. Just don't telegraph it.
What about reflective surfaces? Mirrors, windows?

NICK
What, in school? No, there's no mirrors.

ROGER
What about that ugly glass trophy case?

NICK
Yeah, that's there.

ROGER
Well, use it. It's perfect.
Go stand over there for a second. Keep going. Keep going. Stop.
If you can't stare directly, turn your back and use the glass.

He waves at Nick’s reflection in the window.

ROGER
Hi, gorgeous. Remember, angle of incidence equals angle of reflectives. In other words, if you can see them, they can see you. So be alert.

NICK
This is really complicated.

ROGER
It's rocket science. You were smart to ask for help.

NICK
I have a good one. When they're wearing short sleeves...
and they raise their arms to fix their hair, you can see in that gap there.

ROGER
Now, see? That shows me you're using your faculties.

NICK
Don't they know we can see in there?

ROGER
Of course they do. Breasts are very sensitive. They know when they're exposed to air. Are women gonna walk around with their hands clamped to their sides? No.
Their hair has to be dealt with eventually, Nick. And it is our job, it is our vocation to be ready.

NICK
All right. So all this looking is fine, but how do you take the next step? I need to meet someone.

ROGER
If you can't see how the two things are related, Nick, there's nothing I can do for you.

Roger begins to walk away.

NICK
Wait. Relax. Come on.

ROGER
You think we are kidding around here? Do you think this is a joke?

NICK
No. Why do you think I'm here?

ROGER
You have got to make sex a presence... in your mind, in your life... in your spirit.

NICK
All right. I'm sorry.

ROGER
All right.

This is crazy... I was watching TV just now, and they had an interview with this guy, he started his own website, called Justin.tv -- Apparently, for some reason this guy has decided to wear a small video camera, attached to his baseball cap, 24 hours a day, 7 days a week, and broadcast the video on his site. I guess The Truman Show is now reality...
So anyways, I logged on to his site as the interview was taking place (on a live tv show) and, sure enough, there he was, giving the interview (from his POV). The interview ended, he talked with people backstage, and then he walked outside to his car, to find a parking ticket on his windshield. I stopped watching as he was driving in his car (it's not too exciting watching someone drive - from their point of view), but I dunno, this whole thing just struck me as insane and I felt compelled to report it on here. Check out the site, at your own risk - I didn't see anything graphic, but apparently he wears the thing ALL the time, even going to the bathroom, so if that's something you don't want to see, you probably shouldn't take the chance. You might log on and see a little surprise someday, who knows...

I was right...it didn't take them (YouTube) long to delete the David O. Russell freakout video... here's the repost (for as long as it lasts) of the 2nd video from below:



Also, they deleted the short clip (2 minutes) I posted from Freaks and Geeks, and yet entire episodes still remain on YouTube... that site is going down in flames if they don't come up with some kind of compromise in terms of what kind of content is allowed...

Came across something really interesting today...
People that know about director David O. Russell know that he has a reputation for going absolutely insane on the movie set, even going so far as to scream at the actors and crew and throw things around and sometimes even physically assaulting people (there was an infamous incident back in 1999 where he and George Clooney almost got into a fistfight).
Well, things were apparently no different on the set of his 2004 film I ♥ Huckabees, where Russell repeatedly freaked out on-set. This brief explanation gives you the gist of it, but the real reason I'm posting this up is because of what lies below: Two video clips of the actual on-set craziness... This is really rare, I tell ya... you hear stories about this sort of stuff happening, but you never get to see it. Well, here's some leaked on-set production video... enjoy it before somebody's lawyers get pissed and take it down:





You get the feeling from the clips that Lili Tomlin may be marginally insane, but it's hard to tell how far Russell has actually pushed her before we see her on-camera outbursts. On the other hand, she was in 3 Altman movies, and he was known for not putting up with any shit (i.e. with Warren Beatty in McCabe & Mrs. Miller), so I get the feeling that Russell had just pushed her over the edge... But in any case, she had already been in a Russell film, 1996's Flirting with Disaster, and if he was that nuts, why would you work with him again? Maybe he's just become insane fairly recently?...

Freddie Francis
1917-2007

You don't want to "over-watch" something, so I sometimes purposefully refrain from watching certain things for months at a time, only to revisit it at a later date (often - however unintentional it may be - in marathon-like sittings of several hours at a time). Such as it was I decided to turn on Freaks and Geeks tonight... God damn, this show never gets old...

I downloaded Zodiac tonight, so I could watch it again, and I've got to say... it's really early to be saying this, as the movie year's just started (and movies released this early almost always get forgotten by December) but I'd like to put in an early (hopeful) prediction for Robert Downey Jr. as Best Supporting Actor for next year... he completely stole the show in this picture.

I found an old box the other day, and in it I discovered, on several videotapes, the entire series of American High. It was on TV in 2000 on Fox, canceled after 4 episodes, and then re-aired on PBS in its entirety later that year (which is how I was able to record the entire series). It was quite an interesting experience to watch it again, since I first saw it during my freshman year: It borders on the melodramatic at times, but, after all, that's quite a melodramatic point in your life. Overall, it's a great examination of high school life. While it bills itself as following 14 kids (for a year), it really concentrates on about 6 or 7 in detail (even that's a large task, for only thirteen 30-minute episodes). A large amount of then-current music was used in the show, so it's doubtful it will ever be released on DVD. Watch a 3.5 minute trailer here.

Just a quick word on the Oscars...
No real surprises (well, except for Best Picture... but a great surprise nonetheless...)
I briefly switched on the telecast for the Director award... and while it was great to see Scorsese win, I was a little surprised that, for all the years he's been waiting for this, he basically just read off a list of names...
And on a final note, we all like to see good, decent people receive something... enter Forest Whitaker. While a quick viewing of his acceptance speech shows he's a great guy, I'd like to relay this short story that quickly came to my mind when I saw that he won and frantically turned on the TV to view his speech: Amy Heckerling once told a story about Forest's audition for Fast Times at Ridgemont High - his first role, which was just one line. After he auditioned, he found out he got the role, and he left to go to his car. Heckerling watched him out the window... thinking that no one was watching, he happily skipped to his car, thrilled to have his first movie role. Now he has an Oscar. Doesn't that just put a smile on your face?

The best films of 2006, in order

(To qualify, the movie must have had its U.S. premiere sometime in 2006. If a movie premieres at a film festival in 2005, and then opens in the U.S. in 2006, it will be counted as a 2006 release).

1. United 93
2. When the Levees Broke: A Requiem in Four Acts
3. A Prairie Home Companion
4. Babel
5. The Departed
6. Dave Chappelle's Block Party
7. The Pursuit of Happyness
8. Half Nelson
9. The Last King of Scotland
10. Notes on a Scandal
11. A Scanner Darkly
12. World Trade Center
13. The Illusionist
14. Little Children
15. The Queen
16. Little Miss Sunshine
17. Pan's Labyrinth
18. Borat
19. Idiocracy
20. Inside Man
21. Marie Antoinette
22. The Dead Girl
23. An Inconvenient Truth
24. Jesus Camp
25. Brick
26. Children of Men
27. Flags of Our Fathers
28. Letters from Iwo Jima
29. Hollywoodland

I finally sat down tonight and downloaded the entire Freaks and Geeks soundtrack... not the lame "official" 1-disc soundtrack available for purchase (which is mostly made up of score, not songs), but rather every single song that appeared in the show. It took me forever to do, but it stretches across 5 CDs, and it contains 86 songs - every song from the show (except for a couple of disco songs from the last episode, which I decided not to include), in roughly the order in which they appeared. Great music on that show - it has just about everything: great classic rock, cheesy pop, some country-rock, and even some punk near the end of the show's run. Complete list below:

1. Joan Jett - Bad Reputation
2. Van Halen - Running With the Devil
3. Kenny Loggins - I'm Alright
4. Styx - Renegade
5. Styx - Come Sail Away
6. Deep Purple - Hush
7. Doobie Brothers - Jesus is Just Alright
8. Rick Derringer - Rock and Roll, Hoochie Koo
9. Santana - No One to Depend On
10. Van Halen - Ain't Talkin' 'Bout Love
11. Janis Joplin - Maybe
12. Kiss - Do You Love Me
13. Cheap Trick - Gonna Raise Hell
14. April Wine - Roller
15. Ted Nugent - Free For All
16. Van Halen - Jamie's Crying
17. Van Halen - Ice Cream Man
18. Little River Band - Reminiscing
19. BTO - Taking Care of Business
20. Curtis Mayfield - Superfly
21. Love Unlimited Orchestra - Love's Theme
22. Van Halen - Little Dreamer
23. The Faces - Debris
24. Rush - The Spirit of Radio
25. Cream - Sunshine of Your Love
26. Cream - Crossroads
27. Cream - White Room
28. Madness - One Step Beyond
29. Billy Joel - C'etait Toi (You Were The One)
30. Billy Joel - Rosalinda's Eyes
31. Billy Joel - Don't Ask Me Why
32. Brothers Johnson - Stomp
33. Alice Cooper - I'm Eighteen
34. Allman Brothers Band - Whipping Post
35. Journey - Loving, Touching, Squeezing
36. Moody Blues - Nights in White Satin
37. Styx - Lady
38. Kansas - Dust in the Wind
39. Queen - Keep Yourself Alive
40. Van Halen - Everybody Wants Some
41. Ted Nugent - Stranglehold
42. Joan Jett - Do Ya Wanna Touch Me
43. The Who - The Song is Over
44. Ted Nugent and Amboy Dukes - Journey to the Center of Your Mind
45. XTC - No Language in Our Lungs
46. Joe Jackson - I'm the Man
47. Joe Jackson - Look Sharp
48. The Who - Slip Kid
49. J. Geils Band - Flamethrower
50. Supertramp - Take The Long Way Home
51. Chicago - 25 or 6 to 4
52. Bob Seger - Beautiful Loser
53. The Cars - Let The Good Times Roll
54. Emerson, Lake, and Palmer - Karn Evil 9
55. Charlie Daniels Band - The Devil Went Down to Georgia
56. Pure Prairie League - Amie
57. Lynard Skynard - Free Bird
58. Boston - Smokin'
59. Queen - Fat Bottomed Girls
60. Blood, Sweat and Tears - Hi-De-Ho
61. Jethro Tull - Aqualung
62. George Baker Selection - Little Green Bag
63. Mac Davis - Baby Don't Get Hooked on Me
64. The Who - I'm Free
65. The Who - I'm One
66. The Who - Boris The Spider
67. The Who - Love Reign O'er Me
68. The Who - Squeeze Box
69. The Who - Going Mobile
70. The Who - Drowned
71. Seals And Crofts - Summer Breeze
72. Black Flag - Rise Above
73. Diesel Boy - Lime Green
74. Diesel Boy - Happy Street
75. Diesel Boy - Punk Rock 101
76. Dean Martin - You're Nobody 'Till Somebody Loves You
77. Rush - Tom Sawyer
78. Bob Seger - Katmandu
79. Bob Seger - You'll Accomp'ny Me
80. Warren Zevon - Poor Poor Pitiful Me
81. David Bowie - Fashion
82. Jackson Browne - The Road
83. Foxy - Hot Number
84. Heatwave - The Groove Line
85. Grateful Dead - Box of Rain
86. Grateful Dead - Ripple

I know I've posted this before, but it never gets old...

Baltimoreans Hope to Save The Senator Theater

I don't watch Oprah, but I was flipping through the channels today and caught like the last 10 seconds of it... and I noticed that John Travolta, William H. Macy, Tim Allen and Martin Lawrence were all sitting on the couch together... and my first thought, obviously, was "what the hell?"... Strange group of people to all be sitting together, for sure. A little internet research revealed that they're starring together in some lame upcoming movie called Wild Hogs. Who would really sign on to something like that?...

Eric Von Schmidt
1931-2007

Have I mentioned that Forest Whitaker is fucking scary in The Last King of Scotland?

The trailer for Judd Apatow's new movie, Knocked Up, in theaters June 1st: click here.

Wow, I guess I haven't really updated that much lately. Well, I've been watching a lot of movies recently, so that I can write my "Best Of" list for 2006... I have about 20 more movies to go, and then I will have seen every major release (and some minor releases, too) of 2006.

2007 Academy Award nominations

Well, the nominations were announced this morning... no big fuck-ups or surprises here, it's all very much as expected. To summarize:

Best Picture - nominees:

• Babel
• The Departed
• Letters from Iwo Jima
• Little Miss Sunshine
• The Queen

Basically the same line-up that we've seen at all the other awards shows this year... the one interesting change here is the addition of Iwo Jima in the Best Picture category instead of the Foreign Film category, which is where most other awards have been placing it. I personally like this choice (I'd rather have it omitted entirely, but oh well), as it seems to me pretty stupid to have a Best Foreign Film nominee from the USA (which I believe would've been a first). As I've stated before, put United 93 in Iwo Jima's place and you have a real list. But I must say: REALLY happy that Dreamgirls didn't get in there. In terms of the winner, well, Sunshine won the Producer's Guild and Babel won the Golden Globe...so it's really between those two.

Best Actor - nominees:

• Leonardo DiCaprio for Blood Diamond
• Ryan Gosling for Half Nelson
• Peter O'Toole for Venus
• Will Smith for The Pursuit of Happyness
• Forest Whitaker for The Last King of Scotland

Once again, the same as every other list out there. Whitaker has won basically every single award out there, so he's pretty much a lock. And hey, it'll be fun to see the big guy in Fast Times that warned "Don't fuck with it!" win an Oscar. If you ask me, DiCaprio should have been nominated for The Departed instead. And lastly, my personal favorite performance of the bunch is Gosling in Half Nelson.

Best Actress - nominees:

• Penélope Cruz for Volver
• Judi Dench for Notes on a Scandal
• Helen Mirren for The Queen
• Meryl Streep for The Devil Wears Prada
• Kate Winslet for Little Children

Once again, no real surprises. Mirren has won, like Whitaker, basically every award under the sun this year, so she's virtually a lock. Dench (the most overrated actress of her generation working today) continues to get nominated for almost every little performance that comes vomiting out of her, and Streep has somehow gotten recognized for a quirky little performance in one of the worst movies of the year. On the other hand, both Cruz and Winslet were very good. Mirren has it in the bag, though.

Best Supporting Actor - nominees:

• Alan Arkin for Little Miss Sunshine
• Jackie Earle Haley for Little Children
• Djimon Hounsou for Blood Diamond
• Eddie Murphy for Dreamgirls
• Mark Wahlberg for The Departed

While I like seeing Wahlberg's name on there, his role was admittedly too underdeveloped to accurately guage the quality of his performance. Hounsou is really a filler nominee in a year of mostly weak films. My personal favorite is Haley (remember him from The Bad News Bears?) who really is brilliant in Little Children. But it's really between the last two: Arkin turned in a solid, if unremarkable performance...the aging actor, however, just might pull a victory. The frontrunner right now, however - strange as it may seem - is actually Eddie Murphy, who's won this damn Supporting Actor award all over the place. It truly is a performance not even worthy of the nomination. Believe me, I love the guy, but he just didn't bring what it took to his performance in that movie.

Best Supporting Actress - nominees:

• Adriana Barraza for Babel
• Cate Blanchett for Notes on a Scandal
• Abigail Breslin for Little Miss Sunshine
• Jennifer Hudson for Dreamgirls
• Rinko Kikuchi for Babel

Well, this is the category I get angry at this year. Usually there's several - this year it's only this one. But it's a big one. Jennifer Hudson is the frontrunner this year, but I really can't imagine why. It's the kind of awards-season choice, the kind that seems to be unanimous among everybody, that makes you wonder if everybody has truly become retarded. Her performance is as bland as a TV dinner. With no dimension, and no sense of middle ground, her performance is either too low, or way over the top. Granted, she has a fiery presence, and the anger comes through in her singing, but whenever she opens her mouth to talk (which rarely happens in the movie) it comes out flat. I honestly don't see how she can, or will, make it as an actress, unless every single movie she does in the future is a musical. A sad and blasphemous misstep this year. As for the rest, Blanchett is solid as always, and it's nice to see the two Babel women - who stole the show away from everyone else - actually nominated. The young Breslin was very good, and it wouldn't be bad to see her win, but it's a long-shot.

Best Director - nominees:

• Clint Eastwood for Letters from Iwo Jima
• Stephen Frears for The Queen
• Paul Greengrass for United 93
• Alejandro González Iñárritu for Babel
• Martin Scorsese for The Departed

Finally, some goddamn recognition for Greengrass (after getting shut out of the Directors Guild nominees). Although technically, his was my favorite direction of the year, you really have to give it to Scorsese. I mean, come on, it's like a running joke now, he's been nominated so many times. He's the favorite right now, and I truly hope he finally gets the damn thing. I might even turn on the telecast (which I promised myself I wouldn't watch this year) near the end just to see his acceptance speech. Hopefully. You all know my hatred for Eastwood (besides Mystic River) so you don't have to guess what I thought of his nomination, and although Frears and Iñárritu were both exceptional this year, you have to give it to Scorsese. Finally. Please? Pretty please, with a cherry on top?

Best Original Screenplay - nominees:

• Guillermo Arriaga for Babel
• Iris Yamashita and Paul Haggis for Letters from Iwo Jima
• Michael Arndt for Little Miss Sunshine
• Guillermo del Toro for Laberinto del Fauno, El
• Peter Morgan for The Queen

Basically, what you have here is this: It comes down to Sunshine and Babel - whoever wins Best Picture, the screenplay award will go to the other one (the Academy likes to award a little bit to everybody). If they especially fall in love with the movie, they might give it both. The only other movie capable of creeping up on the two is The Queen. Pan's Labyrinth's single award will probably be for Foreign Film. And let's just say this about the remaining film: if that hack Paul Haggis wins anything else, I will be very pissed.

Best Adapted Screenplay - nominees:

• Sacha Baron Cohen, Anthony Hines, Peter Baynham, Dan Mazer and Todd Phillips for Borat
• Alfonso Cuarón, Timothy J. Sexton, David Arata, Mark Fergus and Hawk Ostby for Children of Men
• William Monahan for The Departed
• Todd Field and Tom Perrotta for Little Children
• Patrick Marber for Notes on a Scandal

This might actually be the closest race of the night...a pretty sad year for movies when the closest race is in the Adapted Screenplay category. The Borat nomination is great, but it's a sympathy nomination, because it's a great movie, but not the sort of movie that the Academy recognizes. The Notes on a Scandal nomination makes sense, but probably won't see a win. The Departed was a great film, but the nomination is a hard call, since it's actually a remake of a (apparently superior) series of three Hong Kong films, combined into one for this American version. Children of Men was critically acclaimed this year, so the Academy may want to give it something....but it really isn't actually deserving of the nomination...the script is murky and vague and probably the weakest of the nominees (ironically, it's one of the top contenders to win it). I'd personally like to see Todd Field (who deserved something for In The Bedroom) win it this year. But this is basically wide open.

And that's about it. All the technical awards (cinematography, editing, music) are actually quite close this year, so we'll see.