Thursday, December 28, 2006

Library of Congress Selects New Films for Preservation

Among the more notable of the 25 new entries in the National Film Registry:

All in all, a good selection for this year. And I'm quite happy that they chose Sex, Lies and Videotape, as the NFR sometimes has trouble remembering to put independent films on their list. What should be next? Well, it's high time they put A Christmas Story (1983) on there, and more Cassavetes stuff would be nice, especially
Faces (1968), along with A Clockwork Orange (1971), 12 Angry Men (1957) and Dog Day Afternoon (1975). Lots of great films that still need to be preserved.

The list of films on the National Film Registry (sans this year's additions)

Friday, December 22, 2006

Odd news of the day: Gus Van Sant arrested for drunk driving.

Borat

"Most of the humor comes from the fact that Sacha Baron Cohen is using his character to show other people's faults. To be honest, while it is funny, most of the time it's simply a real eye-opener to how stupid and bigoted people in America can be."
Borat is still in theaters, and yet right now I have a DVD-quality copy. God bless the internet...

Tuesday, December 19, 2006

The nominees for the 2007 Independent Spirit Awards (one of the last film awards that really mean anything)

Monday, December 18, 2006

Funny story tonight... I was fucking around with my computers, and since I figured the problem with both of them was overheating, I downloaded a little program that tells you how hot the temperatures of your fan and processor are. Well, the laptop fan is completely dead and is no longer moving, because the program told me that the CPU no longer is aware that a fan is attached(!) and the laptop processor, which is supposed to be at a temp of about 123 degrees fahrenheit, was clocking in at over 200 degrees(!) so the processor is fried, because, obviously, the fan had stopped cooling the processor long ago, and once a processor gets that hot, it's over. So, I tried that program on the desktop, and both the processor and fan temperatures were also too high, meaning the fan wasn't doing its job either. Luckily, the processor wasn't so hot that it had fried yet, so I opened up the side of the computer case, and I have a little fan blowing in there, and now the program shows a normal CPU temperature... so I dunno. Maybe it will at least stay on a little longer than usual.

Sunday, December 17, 2006

Well, Unaccompanied Minors bombed, opening at #7 last weekend, with $5.82 million... Told you so.

Thursday, December 14, 2006

Most movies - good movies - have one great moment... if they're lucky. Just one. It might not be much more than a look, or the way a certain line was said, but most have at least one. This moment might make you laugh, or cry, or think about something in your life. Moments that you easily remember weeks, months, and years after you've seen them. Most movies have a couple. Magnolia has over two dozen, and I can name them off the top of my head: The opening prologue. The "wise-up" sequence. The Frogs. The music - every single note - and how it drives the story. Jason Robards' deathbed monologue. John C. Reilly after he's lost his gun. Donnie's speech in the bar. Frank Mackey's on-stage, double-meaning dialogue after he's found out his father is dying. The beautiful camerawork. Cruise's breakdown. Melora Walters - in basically every scene. The kid telling the father "you have to be nicer to me." Cruise walking down the hallway as the looping music plays. The subtext - all of it - the father/son stuff, the spiritual aspect, and most of all - hope. The frogs waking up Robards. The kid's speech on the gameshow. John C. in the car after asking for a date. John C. praying by himself in his bedroom. His date with Melora. Julianne Moore. The whole structure of the film itself. Aimee Mann's music. And I could go on and on. Rarely does someone have the audacity to attempt something like it, or, more importantly, the talent to ensure that not one note of performance or direction is off key. It's not really a movie, it's an experience. I once heard a story that when Darren Aronofsky watches Apocalypse Now (another great "experience" film) he gets the room completely black, going so far as to tape the cracks in the windows and doors and use black curtains. He then starts the movie from the beginning, and if for whatever reason he has to stop it, he can't continue, he has to start from the beginning again. He does this once a year - watching the movie like this. It sounds insane, but all of us film people have a movie that we treat like this. Before he goes to direct a new movie, Spielberg always watches Seven Samurai, Lawrence of Arabia, It's a Wonderful Life, and The Searchers, in that order, and without stopping. We all have one picture we treat like this. I guess mine's Magnolia. Yes, we're weird. But we're movie people.

Wednesday, December 13, 2006

Peter Boyle
1935-2006

The Gaslight District, Part 4

He continued looking out his window, down on the dark street below and the rows of brownstones that littered the block. The early-morning dog walkers started to emerge from their houses and sleepily made their way down the long flights of stairs leading to their doors. The street consisted of many of these old brownstone buildings – many of them hundreds of years old – and a single large apartment complex on the end. Each side of the street was lit with gaslights – a dozen on each side, leading all the way up to the other side of the street, to the chestnut tree on the other end. The street sat on a hill, enabling anyone at a high enough altitude and facing the west to look down upon the entire Gaslight District, and, further on in the distance, the rest of Boston.

As the old man stood staring out his window, he heard a sound from the kitchen. It seemed to be a slight rattling noise, although he could not pinpoint the source of it. At first he thought it might be an intruder, but he soon realized that was not the case, as his front door opened into his living room, and he would’ve heard someone enter the front door long before this. As he stepped into his kitchen, he spotted a mouse scurrying across the floor. Then, all of a sudden, it stopped in its tracks, and looked up at the old man, who continued walking into the kitchen. The mouse stood, frozen. Not one step. Not one hesitation. It was not out of fear – in fact, it stood there casually, making a chirping noise with its mouth. Even the mouse knew this man meant no harm.

Then, abruptly, the room went dark. He looked out his window, and noticed that one of the gaslights had gone out. Now all that remained was the moonlight. As his eyes slowly adjusted to the faint lighting in the room, he squinted behind his thick glasses and staggered over to the kitchen table, where he sat down at the rickety old chair near the window. He looked through the aged, scratched window glass and observed the stars fading one by one, and then the first rays of sunshine struggling to penetrate the thick morning fog. As he watched a young city worker trying to fix the broken gaslight outside, he turned his attention back inside, where he noticed his little rodent friend was how sitting on the table next to him. Years ago, he would have chased the little animal away, broom in hand, all around the apartment – as if he was reenacting some lost comic image from an old Charlie Chaplin film. But age had gotten to him – in more ways than one – and now he slowly raised himself from his chair and made his way to the cupboard. He rummaged through the boxes and cans, and victoriously arrived at a box of crackers, which he opened up and brought back to the table. He took one out of the box, breaking a piece of it off and carefully placing it down on the table. The mouse’s first instinct was to snatch it up as quickly as possible with its little paws and run back to its hiding place, but this was a different situation, and it knew this fact very well. It confidently strolled over to the cracker and ate it in that very spot, mere inches from the man’s hand. After it was done, the man broke off another small piece and placed it in the palm of his hand, laying the back side of his hand flat against the table. The mouse hesitated this time, but its little feet began to creep forward, until he was next to – and then in – the palm of his hand. Just then, a loud sound outside made the man jump, and the mouse went scurrying off into a corner. Looking outside the window, he noticed the worker who was fixing the gaslight had dropped his toolbox, which had sent dozens of wrenches and hammers onto the street and scattered across the sidewalk. The old man turned his attention back inside and began to look for the mouse.

The Gaslight District, Part 1
The Gaslight District, Part 2
The Gaslight District, Part 3

Monday, December 11, 2006

Saturday, December 09, 2006

Woody Allen interviews Billy Graham (1969)

Two people who are definitely on opposite ends of the religious spectrum...
Interesting conversation.

Part 1


Part 2

Monday, December 04, 2006

Man, YouTube sucks now. It's too popular and too many people know about it now. All of the studios are freaking out about even just clips of movies and stuff being up there. My account got deleted... I can easily make another one, but why bother?

Sunday, December 03, 2006

I was thinking about it, and it just hit me this morning: This has been a shitty year for movies. Sure, there's been a few decent ones, and one flat-out masterpiece (United 93), but I guess nothing could really compare to last year, and I don't think anything will for quite some time. Last year really was a terrific year for movies. I mean, just think about it: Brokeback Mountain. The Squid and the Whale. Syriana. Capote. Murderball. Cinderella Man. Good Night, and Good Luck. Broken Flowers. Match Point. Saraband. A History of Violence. The New World. Walk the Line. Grizzly Man. And that's not even everything. Last year will probably go down in history as one of the best, right down there with '94 (The Shawshank Redemption, Pulp Fiction, Forrest Gump, Quiz Show, Ed Wood, etc.) and '95 (Apollo 13, Leaving Las Vegas, Dead Man Walking, Casino, The Usual Suspects, etc.) and only a handful of other years. Good times.
Claude Jade
1948-2006